ARTS INTUITIVESo, if art immitates reality, and reality is subjective existent in an addiction, I'm afraid the symbolic representation of such a culture is demonic... If I was enjoying a piece of music or an item on stage, I would not only indulge my senses, but their objective projection would lead me to an enlightenment that is preceded by the characters of the performance. In the case of Music, my senses are probably captured by the sounds and movements of variants taking me away from my seat into a world of dreams and imagination. Again, I am persistent with objective outcome, whether it's soothing the senses in a lament or leaping into joy of a discovery and adventure. That is why some of these pieces are designed with the audience in mind I guess. Normally, I would interpret what's on stage from my own experience. If I couldn't relate, then I am forced to read it from a perceived view. When none of the above connects, the mind switches into gear and attempts to make sense of what's going on. I have noticed progress from feelings and senses into the mind or is it a transitional stage of realisation? Better still, it can be a transcendence of experience. The satisfaction of the feelings seems to have a time limit, but the enlightenment of the mind can have a stable effect. I remember writing something about a social symphony, the orchestra of society where individuals' collectivity of tunes are upheld by the mind. It is a valid composition that makes sense in the outcome. You can say that a complete piece in stages can have an extravagance of emotions with an enlightened finale that raises not the eyebrows but a smile. So if you look at the above carefully, you might be able to put together a dynamic existent revolving around the feelings and senses into the mind. But how can we learn about a complete reality when we are bombarded with the same material beat over and over? It is about sex, it's all about sex, what else can you do beside sex? It's about knuckles and fists, it's about fists on the face, what da... And if you conclude the message, it must be about sex and violence! But the consequences of delivering a persistent subjective message gives rise to the over development of that part of the person. Yes, numerous researches have concluded that Rap Hip Hop music encourages violence and denigrates women. The point I am making here is the consistent point I have delivered on this site. Passion and Desire in their material sense are subjective, usually directed at self satisfaction. When this Passion and Desire are objectified into a stable existent, the subjective nature is purified to enable it a healthy seat. The transition progresses from feelings and senses to its purification. The Material is cleansed from contamination, to its pure form. The Pure form is lacking in cultural aspects, and deteriorates to nothingness. The connection between the pure material and its mind is learned from experience of the feelings and senses. We know what's wrong and right, or what's harmful and what's safe. It becomes instant after a while. And once this is established, the same Passion and Desire re-emerge, only this time are not self centred. From experience we learned to reason from the tools of our feelings and senses, until we know. Passion and Desire reasoned and transcended gives rise to intuition. Now if you can write a piece that appeals to you the complete person, from your toes to the top of your head including all your faculties, it has to be timeless. You will buy this CD, DVD, Video, whatever because you will always smile every time you play it. |
There are many hard work and raw items put through the rough of a process to produce a fine product. How in the final product emerges a pure form of energy to inspire or to motivate us, and to entertain our senses reveals the touch of the creator. The method of this process is usually passed down from our ancestors through the generations, is modified through the passage of time. Nonetheless, it has a historic base; the root of its origin whether implicit or coded traces a genealogical pattern of identification to a people, its culture, and its customs.
Art has surpassed the era of darkness but it doesn't make light of its authentic purity. Its aspects have taken many forms to express our emotions, to portray our vision, or capture a momentous instant. A story may be told from the first hand experience, but not necessarily a story about the artist. It is in the most part the artist's interpretation of events, and often the meaning is lost in the translation.
The functions of a refining process deduct deviations and relative persona from the product to ensure its emergence is a pure form of energy. When we capture the incident, we have the spirit of the thing in itself. But we often blur this image with a story about ourselves, how we see the world, how we hate it or love it, and so on. The spirit may not emerge because the story is either too political, or too personal. But many spirits would be moved by something innocent and pure than would with its aspects.
You can always think about your reality and what you do. But it might be easier to change your mind by changing what you do. Your position in social standing relates with the thoughts that you apply to reality. Try to recall a time that you were a victim, or an occasion where you are a member of a minority group and associate the thoughts and feelings that you experienced during your ordeal. If you are a tenant for example, you are living in a social position where you constantly struggle against the authority of the landlord. There is not much you can do because your accommodation depends on your relationship with the landlord. There are times where you would speak your mind, or take some action against the landlord, but your freedom is restricted to ensure the possession of your accommodation is stable. For as long as you are in that social position, you will always struggle no matter how hard you think. It is when you change your position that your mind will adapt to your new surrounding. But changes may require a shift in economic activities, such as changing employment, or when you have a pay increase, and etc.
So, if our decisions are influenced by our economic positions and social standings, then the economy is a motivating factor in our lives. It is not totally economic for its social relations have greater influence in our motivations. Social relations are tied in with our feelings about ourselves and our families, our culture, community, and our surrounding.
At the same time, if we get up and change jobs or accommodations every time we don't feel good about certain things, it may not make sense to economic and social stability. We might end up living for the day or moving from place to place. In other words, economic means may not make sense without social values. And these are the values that we associate with our feelings, our families, and communities which sanction our social behaviour. And so we begin to take more recognitions of what we do, and appreciate our work, crafts, meetings, play, or pray.
What's the point of having all the money in the world but not serving a social purpose? I guess personal changes can be enhanced by knowing yourself, your economic resourcefulness, your feelings, and in relations to your surrounding.
There is a law against the landlord for retaliation action against you. But in reality, once your relationship with the landlord is damaged, you will always struggle especially if the landlord is a corporate one.